From Byrd to Byrd (CD)

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Friederike Chylek

Byrd's oeuvre stands out above all by virtue of the diversity of its genres and structural principles. This is clear particularly in his exceptional keyboard music. The influence Byrd exerted on the continental development of clavier music is also remarkable. With Byrd's Hornpipe the program of Friederike Chylek finally ends, the key element of which should always be William Byrds oeuvre. From Byrd to Byrd!

Friederike Chylek was born in Starnberg near Munich. She studied harpsichord at the Schola Cantorum Basiliensis in Basel. Her concert work has taken her to several countries in Europe and she has performed at festivals and recital series such as The Musical Summer in Loisachtal and ‘Les Gouts Reunis’ in Lausanne. Her main interest lies in English keyboard music of the sixteenth and seventeenth centuries.

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  • Byrd: Prelude for keyboard in G major
  • Byrd: Fantasia a 3 in C BK27
  • Byrd: Gailliard Bray
  • Byrd: Hornpipe
  • Byrd: Lord Willobies welcome home (Rowland)
  • Byrd: Monsieur´s Alman
  • Byrd: Monsieur´s Alman II
  • Byrd: Pavana Bray
  • Byrd: The Bells
  • Dowland: Galliard
  • Dowland: If my complaints could passions move
  • Dowland: Pavan
  • Dowland: Pipers Galliard I (set by John Bull)
  • Dowland: Pipers Galliard II (set by John Bull)
  • Gibbons, O: Mask : The Fairest Nymph 43
  • Lawes, W: Sarabande in g
  • Lawes, W: Symphony
  • Locke: Suite in D
  • Morley: Alman
  • Purcell: Suite No. 7 in D minor, Z 668