Angela Chun (violin), Jennifer Chun (violin), Nico Muhly (piano)
This recital of music especially written or arranged for duo violinists Angela and Jennifer Chun highlights the personal and professional connections between Philip Glass – represented here as a miniaturist – and Nico Muhly, a longtime colleague and admirer of Glass’s work.
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In the Summer House
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24th April 2016
“For the American composer Nico Muhly (b1981) English choral music is a dominant influence. So too is Philip Glass (b1937), whose music Muhly first discovered as a college freshman, later working for him as copyist and sequencer for his film scores. They remain friends, colleagues and Manhattanites. This disc of music for two violins, agilely played by Angela and Jennifer Chun, highlights their strongly individual voices. Muhly’s Four Studies (2014) are transparent explorations in counterpoint (listen for the composer providing keyboard drone). Glass’s Mad Rush (1979) and In the Summer (1993, transcribed by the Chuns in 2014) carry his trademark arpeggiated patterns and ever unfolding melodies, which here take on a silvery, high-violin hue.”
“Angela and Jennifer Chun’s violin lines are interwoven around shimmering drones generated by Muhly on piano and keyboard to create effective soundscapes…the Chun duo’s sensitive and delicate playing imparts at times ethereal and transcendental qualities to the [Glass]”
“Muhly’s silvery, luminous Four Studies were written for Angela and Jennifer Chun, and are a highlight of their sensitively played minimalist duo-violin disc.”
"The sister duo of Jennifer and Angela Chun is to be commended for imaginative commissions, and the music on this Harmonia Mundi release is no exception. The growing fame of American composer Nico Muhly has rested in substantial part on choral music and its large British contemporary repertoire in particular, but he worked as Philip Glass' copyist, and the influence exerted by American minimalism on Muhly's music snaps into focus with this release. In the Four Studies, the only totally original work of the four on the album, the influence comes perhaps more from Steve Reich than from Glass, with the precisely executed, phase-shifting counterpoint of the Chun sisters above Muhly's own keyboard foundation. The other Muhly piece, Honest Music, is an intriguing transcription: a remaking of an original for violin and electronics into a work for two violins. Muhly perhaps outdoes his mentor here: the two works by Philip Glass are a bit less successful than his own, both transcriptions. Mad Rush is a two-violin version of an early piano piece (1979, based on a still earlier organ work). It's pure minimalist Glass and effective enough in a violin version, but In the Summer House, a 1993 suite of incidental music for voice, violin, cello, and synthesizer, does not really succeed as abstract music and is not enhanced by the transcription. Enhancement does come from Harmonia Mundi's sound, recorded at an auditorium at Drew University in New Jersey; even more so than the well-engineered recordings on Glass' own Orange Mountain Music label, it gives the music clean, abstract lines."