JS Bach: Violin Concertos (SACD)

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Rachel Podger, Brecon Baroque

The dynamic ensemble Brecon Baroque was founded in 2007 by violinist Rachel Podger as resident ensemble at her annual Brecon Baroque Festival. The international line-up consists of some of some of the leading lights in the period-instrument world, such as cellist Alison McGillivray, flautist Katie Bircher, oboist Alexandra Bellamy and violist Jane Rogers, as well as some of Rachel's “star” former students who now occupy leading positions in many of Europe's finest ensembles.

Brecon Baroque specializes in the music of J.S.Bach and his contemporaries, often as a one-to-a-part ensemble but also as a small Baroque orchestra. Over the last two years the ensemble has performed several of Bach's Cantatas for solo soprano with Elin Manahan Thomas and will do so again in 2011. Future recording plans include Bach's Art of Fugue and Telemann's great collection Tafelmusik.

'The opportunity to spend three intensive days recording four Bach concertos is an uplifting experience. Each piece encompasses a unique expressive world where discovering the real essence of every movement becomes a kind of obsession! The concertos in A minor and E major are old friends. I’ve grown up with them and I played them a lot when young. The other two, in G minor and A major, were very familiar (as harpsichord concertos or in various transcriptions) – relations I knew reasonably well but not such close friends. It has been a delight to explore these pieces and renew acquaintance, first hand.’
- Rachel Podger

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Bach, J S:

Violin Concerto No. 1 in A minor, BWV1041

Violin Concerto No. 2 in E major, BWV1042

Violin Concerto in G minor, BWV1056

Violin Concerto in A major, BWV1055

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The Independent on Sunday

3rd October 2010

“Sunshine floods through this ensemble recording...The forces are small, just one player per part, yet Rachel Podger and Brecon Baroque think big...The E-major Concerto has spring, poise and wit, while the G-minor contrasts the langour of the Largo with a fizzing Presto.”

Sunday Times
17th October 2010


“In these lively, one-instrument-to-a-part performances, they [1056 and 1055] work well in this adaptation, and Podger’s lean, sinewy sound rises out of the ensemble shiningly.”
The Times

22nd October 2010


“The music flows with a natural ease. She stays light and nimble, very much embedded in the ensemble. The delicacy of her dynamic shifts and decorative details is remarkable...But this above all is a community endeavour. Podger’s six supporting musicians play alongside with exquisite skill and freshness...and provide a thrilling kaleidoscope of colours.”
Financial Times
13th November 2010
“Exceptionally intimate and flexible performances from Rachel Podger”
Classic FM Magazine

December 2010


“Podger delivers an infectious, dancing lead which rubs off on the small, top-quality band. The A minor jig has a breathless intensity as the players unanimously bend to the delirious rhythm...Podger's period-instrument rendering of these untiringly repeatable masterworks is among the best on disc, authentic or otherwise.”

Graham Rogers

30th November 2010

This crack squad of first-rate period-instrument musicians gives lithe, polished and devoted performances that make a convincing case for a one-to-a-part "orchestra". Indeed, so full-bodied is the sound that you could be forgiven for not noticing the paucity of numbers – except the precision and freedom for manoeuvre is far greater than any chamber orchestra could achieve.”

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