Andreas Brantelid (cello) & Bengt Forsberg (piano)
In French music, Gabriel Fauré (1845 – 1924) forms a link between Romanticism and modernism: in Paris in the year of his birth, Chopin was still composing, and by the time of his death, jazz was all the rage, while Stravinsky was championing neoclassicism.
This present recording contains all of Fauré’s music for cello and piano, including the much-loved Élégie and Sicilienne – pieces that are sometimes described as ‘salon music’, with qualities that caused Debussy to dub the composer ‘the master of charms’. But interspersed with this lighter fare are also the two sonatas from Fauré’s later period when, suffering from increasing deafness, he developed a more pared-down style.
Even though the sonatas came into being only a few years apart they are nevertheless quite different – appearing in 1917 Sonata No. 1 in D minor is very much a wartime work, at times almost violent and rough. The G minor Sonata is altogether more accessible, with a vivacious finale that caused the composer Vincent d’Indy to remark to the 78-year old Fauré: ‘How lucky you are to stay young like that!’
Andreas Brantelid’s previous release for BIS – a disc with music by Grieg and Percy Grainger – received critical acclaim including a Gramophone Editor’s Choice. For this all-Fauré programme he has chosen to collaborate with pianist and highly respected chamber musician Bengt Forsberg.
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Romance, Op. 69
Papillon, Op. 77
Sérénade, Op. 98
Berceuse, Op. 16 (Arr. for Cello & Piano)
Cello Sonata No. 1 in D Minor, Op. 109
III. Finale. Allegro comodo
Morceau de lecture (Version for 2 Cellos)
Dolly Suite, Op. 56: I. Berceuse. Allegretto moderato (Arr. for Cello & Piano)
Sicilienne, Op. 78
Élégie, Op. 24
Cello Sonata No. 2 in G Minor, Op. 117
III. Allegro vivo
Andante for Cello & Organ (Early Version of Romance, Op. 69) [Version for Cello & Harmonium]