New Year's Concert 2016 (DVD)

Sony Classical
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Wiener Philharmoniker, Mariss Jansons

New Year's Concert 2016




Ball Scene

Stolz, R:


Strauss, E:

Mit Extrapost, Op. 259

Ausser Rand und Band - Polka schnell, Op. 168

Strauss, J, I:

Seufzer Galopp, Op. 9

Strauss, J, II:

Schatz-Walzer, Op. 418

Violetta, Op. 404

Vergnügungszug, Op. 281

Eine Nacht in Venedig Overture

Sängerlust (Joy Of Singing), Op. 328

Fürstin Ninetta (Princess Ninetta): Entr'acte

Kaiser-Walzer, Op. 437

Auf der Jagd, Op. 373

Strauss, Josef:

Sphärenklänge, Op. 235

Auf Ferienreisen - Polka schnell, Op. 133

Die Libelle - Polka mazur, Op. 204


Espana, Op. 236


Weaner Mad'ln, Walzer, Op. 388



Wiener Philharmoniker, Mariss Jansons

As a brand name, the Vienna New Year’s Concert can trace back its origins to 31 December 1939. In other words, the concert initially took place on the last day of the year. By 1941, however, it was being held on 1 January, when the Vienna Philharmonic established a tradition that continues to flourish to this day.

The list of names of leading conductors who have led the Vienna Philharmonic’s New Year’s Concerts reads like a veritable who’s who of great maestros: including Herbert von Karajan, Lorin Maazel, Claudio Abbado, Carlos Kleiber, Zubin Mehta, Riccardo Muti, Nikolaus Harnoncourt, Seiji Ozawa, Mariss Jansons, and Franz Welser-Möst.

It is not least thanks to this illustrious succession of great conductors that the Vienna New Year’s Concert remains unique, ushering in the New Year in a way that has often been imitated but never equalled. Its universal popularity is undoubtedly due to the direct – or deferred – live broadcast from the flower-filled Golden Hall of the Vienna Musikverein. The first broadcast went out on Eurovision in 1959, the first colour relay in 1967. Now the concert is shown in countries throughout almost the entire world.

It continues to be works by members of the Strauss family – Johann Strauss Father and Son as well as Eduard and Josef Strauss – that are central to this media event. Old favourites from their output are heard alongside others that have never been recorded or are only rarely heard; all of them programmed around two fixed points in the concert: the Blue Danube Waltz and the Radetzky March.

Mariss Jansons ranks among the outstanding podium personalities of our time. He has been the Chief Conductor of the Chor und Symphonieorchester des Bayerischen Rundfunks since 2003. After several exceptionally successful seasons, his contract was prolonged until 2018. Until recently he was also the chief conductor of the Koninklijk Concertgebouworkest in Amsterdam (2004-2015) and held both prestigious positions of a chief conductor at both orchestras. Both ensembles made the top 10 in a 2008 Gramophone list of the world's top 20 orchestras.