Dvorak: Cello Concerto (CD)

Decca
$29.99
Current Stock:
SKU:
4785705
Artist:
Alisa Weilerstein, Czech Philharmonic Orchestra, Jiri Belohlavek

Awards:

Gramophone Awards 2015

Finalist - Concerto

 

BBC Music Magazine

Concerto Choice
- August 2014

American cellist Alisa Weilerstein, described by BBC Music Magazine as “one of the most extraordinary” soloists of her generation, follows her critically acclaimed Decca debut recording of Elgar’s Cello Concerto with a vital new interpretation of Dvorák’s Cello Concerto, coupled with some of his best-known melodies.

 

 

 

Alisa Weilerstein’s all-Dvorák programme includes the haunting melody from his “New World” Symphony, popularly known as Going Home; his song Lasst mich allein, the beautiful Silent Woods and more…

 

 

 

Alisa Weilerstein joins forces with the Czech Philharmonic Orchestra and its Czech Music Director, Jiří Bělohlávek in a terrific and deeply authentic musical partnership. This radiant performance of the Cello Concerto was recorded in Prague’s Rudolfinum, where Dvorak himself conducted the Czech Philharmonic’s inaugural concert in 1896. Other works on the album recorded in the USA – Dvorak’s adopted second homeland –include Rondo in G minor, Songs My Mother Taught Me and Slavonic Dance No.8.

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Tracklisting:

Dvorak:

Cello Concerto in B minor, Op. 104

Four Songs, Op. 82: No. 1, ‘Leave Me Alone’

arr. Lenehan

Rondo in G minor for cello & orchestra, Op. 94, B. 181

Goin' Home

arr. Lenehan

Songs My Mother Taught Me, Op. 55 No. 4

arr. Grünfeld

Waldesruhe (Silent woods) for cello and orchestra, Op. 68 No. 5

Slavonic Dance No. 8 in G minor, Op. 46 No. 8

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Reviews:

The Telegraph

15th May 2014

*****

“Hers is an interpretation of passion. It is by no means heart-on-sleeve but, rather, it is distinguished by well-harnessed vigour and attack, susceptibility to the music’s lyrical heart...There is a spine-tingling thrill and generosity of feeling to this performance that make it irresistible.”

Financial Times

31st May 2014

“Weilerstein plays across the bar lines, stressing the fluidity and intimacy of the composer’s lyrical lines.”

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