Robust and red-blooded performances of the later symphonies here, pointing unashamedly to the Romantic era. The opening of No. 39, especially, has few rivals in terms of intensity and the way Kertesz balances light and shade.
Recording producer: Christopher Raeburn Recording engineer: James Lock Recording location: Sofiensaal, Vienna, October 1963 (Nos. 33, 39); November 1972 (No. 40)
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WOLFGANG AMADEUS MOZART Symphony No. 33 in B flat major, KV 319 Symphony No. 39 in E flat major, KV 543 Symphony No. 40 in G minor, KV 550